Life Style

Nicky Zimmermann and the eighties movies that inspired her latest collection

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The “greed is good” excess of the eighties should appeal to designer Nicky Zimmermann. Last year’s billion dollar takeover deal for Zimmermannthe Australian label she propelled to international success alongside sister Simone, would make shoulder pads worthy of Linda Evans in Dynasty and Wall Street pinstripes a perfect fit.

Instead, memories of empty pocket student days in the eighties and the eras’ Brat Pack movie classics, such as Pretty in Pink, St Elmo’s Fire and 16 Candles proved much stronger inspirations for Zimmermann’s resort 2025 collection Crushlaunched today.

Eighties Brat Pack movies were the inspiration for Zimmermann’s 2025 resort collection called ‘Crush’.

Eighties Brat Pack movies were the inspiration for Zimmermann’s 2025 resort collection called ‘Crush’.

“It takes me back to my time at design school when we were inspired by these iconic actresses in those movies,” Nicky says. “I can’t tell you if they were good actresses, but I loved their individual style.”

“Women like Winona Ryder, Lisa Bonet and Molly Ringwald were my favourites and each had their own individual approach to eighties dressing. At school, we would rummage through vintage stores, cut things up and try to make things to wear for the next week, to be like our icons.”

Pink ruffled dresses with tromp l’oeil lace prints, stiff shouldered denim jackets with biker buckles and sleeves pushed to Miami Vice heights and watercolour floral print prom dresses with corsages circling the waist capture the optimism of the enduring teen movies.

“Even the models for this collection who were in their twenties knew everything about the films,” Nicky says. “They were right onto it and could pick the references.”

Varsity jackets, prints inspired by lovelorn diary scrawling and animal print tributes to Jon Cryer’s unlucky in love Duckie from Pretty In Pink provided further clues.

“It’s always a nod to an era rather than re-doing a decade. These stories were light-hearted coming of age films with an optimistic feeling and sense of fun. That’s what I wanted to capture.”

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